The advanced technology used for this purpose has proven to be very reliable and fast. You also have the option of very simply adding extra voices to your current pipe organ. For example, you can replace your old-fashioned console with a, often less expensive, digital console. This combination can offer your church many different advantages. The information on this output is exhaustive.But what exactly does that mean? This output connects the module to a single sound generator, sequencer or voice bank.
The module has a composite MIDI output, which merges all divisional outputs together. The composite MIDI data provides all required information to organ simulator. USB output transmits commands coming from all instruments and pushbuttons. It is a preferred connection if a virtual organ simulator is used. The bus speed is set to baud, which is four times higher than the native MIDI interface speed. You may connect divisional outputs to separate sound generators or other MIDI instruments. Connect your instruments to inputs to control dedicated division.įor example, piano controls Great division and other keyboards control Swell and Choir. Internal logic elaborates incoming MIDI messages and distributes them to outputs. It processes and routes MIDI data from four inputs. There are, of course, other features demonstrated on the videos later on.
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They are octave couplers, unison off, tutti, bass, melody, manual couplers, and general cancel. Push buttons toggle functions, usually available in every pipe or digital organ.
The only thing needed is a central connection and control module and we have developed it. For example, couples octaves of one instrument together or plays a melody on all devices. It applies organ function principle and manages communication between instruments the same way as digital or modern pipe organs do. It is important to add: the console is able to control ensembles of different instruments. Nearly the same approach is used during real organ voicing and intonation.
Variation of physical parameters in the algorithm creates different pitch and colour of the sound. Modelling method simulates air movement in a pipe, so the waveform is a result of the computation. Sampling method processes registers, pipe-by-pipe, and creates a sample for each note.
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The VPO software generates organ sounds from waveforms. It has many tremendous benefits, to name a few. Virtual pipe organ technology VPO has been well established and accepted by the market. We have turned it into "virtual organ console". One of our project goals was to extend the coverage of the "virtual organ" from software also to the hardware.